Pasolini uses this specific historical backdrop to ground the abstract sadism of the Marquis de Sade’s writing into a terrifyingly real political reality. By combining 18th-century libertinism with 20th-century fascism, the film acts as a brutal critique of absolute power, totalitarianism, and the corruption of the human soul when left completely unchecked by law or morality. Narrative Structure: The Circles of Hell
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: Director Pier Paolo Pasolini transposed the Marquis de Sade’s 18th-century novel to the final days of fascist Italy in 1944. The film acts as a brutal critique of fascism, authoritarianism, and capitalism , showing how those in power treat human bodies as disposable commodities. Please ensure that you're accessing the content through
Film karya sutradara Pier Paolo Pasolini ini diadaptasi dari novel karya Marquis de Sade. Sebelum menonton, harap perhatikan hal-hal berikut: Konten Sangat Dewasa
: Critics often highlight the film's use of "coprophagia" (eating excrement) as a metaphor for modern mass consumerism , suggesting that power structures force the public to "consume crap".