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has established herself as a premier chronicler of music culture, directing acclaimed documentaries about The Go-Go's, Laurel Canyon, and Cyndi Lauper before tackling the Boy George and Culture Club story. Her background as an editor on landmark documentaries like Enron: The Smartest Guys in the Room informs her meticulous approach to archival material.

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First, Schadenfreude. Watching a million-dollar movie set collapse because a director won't stop screaming at the caterer makes us feel better about our own mundane 9-to-5 jobs. American Movie (1999) is the patron saint of this feeling—following Mark Borchardt, a hapless Wisconsin filmmaker, as he tries to shoot a low-budget horror film. It is funny, painful, and ultimately loving. user wants a long article about "entertainment industry